Ready for next-level audio automation?
Save time and money by automating your non-creative audio processes and ensuring loudness compliance with our leading products, Engine and Eff.
Streamline your QC process and start verifying your audio content using Eve.
This desktop tool is used to measure and correct the loudness of individual files.
Ideally suited for low volume applications, Eff can be set up with a watch folder, enabling you to leave it unattended to process up to 20 hours of content per day.
A scalable product that includes all the loudness features of Eff, but with much wider capabilities made available as optional modules.
Engine has comprehensive automation capabilities including multiple watch folders, a ReST API for MAM integration and API facilities that can processes high volumes of content per day. Engine can also be completely virtualised in the cloud.
A desktop application designed for ingest operators and QC. Its extensive audio monitoring capabilities make it an ideal tool for verifying content.
With multiple listening modes, loudness timeline (using an external XML file) and in-built decoder, Eve makes the challenge of confirming the media file is as it should be, easier than ever before.
The Swiss Army Knife of Audio Automation
We’re 100% focused on audio and, with our software development and R&D expertise, we can support any audio standard and provide just about every type of non-creative audio processing you can think of.
Our applications can be used individually or combined into bespoke workflows – all while maintaining the creative integrity of your end product.
Some of the services that leading broadcasters, networks and post-production facilities trust our products to deliver include:
Emotion’s trusted solutions ensure that your content’s integrated loudness falls within the required broadcast loudness standards without compromising the audio experience. Our software is compatible with a range of LUFS standards including EBU R128, BS1770 and ATSC A/85.
Audio channel mapping & muting
We make it easy to provide playout centres with their preferred channel layout. Swap, duplicate, mute or move channels individually or remap them as groups in mono, stereo or 5.1 surround sound using our flexible and easy-to-use tools.
Stereo to 5.1 upmix & downmix
We’ve incorporated the leading upmix technology into our toolset so you can upmix stereo content to 5.1 surround sound without reverting to the original master or returning to the edit suite. Our downmix algorithm offers an adaptive EQ and ambience mode to optimise your conversion.
Audio standards conversion with pitch correction
We treat video and audio separately when converting media from one frame rate to another. This approach to audio standards conversion for broadcast helps avoid the artefacts commonly associated with the conversion process.
Dolby E encoder & decoder
To solve the potential issues of working with Dolby E in a file-based environment, we’ve developed specific Dolby E encoder, Dolby E decoder, Dolby E guard band correction and loudness compliance applications.
Normalise audio for playout
Easily convert your input formats into the required standard type needed for playout using our entirely automated process. Increasing the number of channels, loudness correction, Dolby E encoding and duplicating channels can all be included in this workflow.