“You mean you can do loudness and then do the Dolby encoding and then do some other audio processing, too? Like upmix? And can you…

Most companies use NAB to announce new products, features or new releases. We at Emotion work differently. We are very customer driven and we are…

Loudness compliance to a wide range of standards was required for a mixture of international and online delivery platforms at Premiere Digital Services. Premiere had…

MX1 in Germany needed to add loudness compliance to their file-based workflow, but their files contained a wide range of different Dolby E audio configurations.…

Every broadcaster has an infrastructure for doing file-based work for promo generation and content repackaging. And because of this, we’ve partnered with Utah Scientific in…

Everyone is trying to bring in IP based solutions, and it seems like a lot of perception is that IP is new, but really, it’s…

MC talks about 4K, versioning, and industry trends in this exclusive interview with Dan Addy, Founder and Managing Director of DTT Broadcast. Dan Addy: People…

File-based audio correction presents a number of challenges. You may wish to work with a variety of media files, e.g. mov, wav, or different flavours…

Historically we had peak-level based (PPM) audio measurement and the compliance spec said we were not to pass a certain PPM level. Commercials exploited this…

For those of you who were unable to visit IBC, Iain has made a short video showing the Version 7 release of Engine, and the…

Why are Loudness and PPM important? Loudness and PPM are used as references to control the maximum audio levels in broadcast material. The issue is…

I was reading the Devoncroft report and noted a quote that read, “We want as fine-grained media services as possible… it’s very common to have…